Video stuff

I found a really cool Final Cut Pro plugin that puts a motion tracked point on your video and builds out a title that moves with the tracked point. I’ve experimented with it a bit and I think I’ll be able to use it to point out people and other points of interest in my videos. The only problem I’ve found with it is that if the point you’re tracking is even briefly obscured, it will lose tracking and its mind.

2018 Look Back

2018 started out pretty shitty. I was unemployed, and my unemployment insurance had run out. Depressed due to the long employment search and other things, I started the year out of shape and overweight, only to be hit with two massive bouts of sickness that pretty much wiped out my winter training and dieting, meaning I hit the racing season with very few miles under my belt and a lot more fat under there.

I got a job in February, and while it was interesting the pay was quite low – I’d actually earned more as a full timer with benefits in 2001 than I was earning as an hourly contractor with no benefits at this job. So midway though the year I left that job for another which paid much better. I hate to be a job hopper like that but the difference in pay was hard to believe.

Because of the reduced financial circumstances this year, I didn’t do a lot of the “away” things I’ve done in previous years – no TC Surfski Immersion Weekend, no Canadian Surfski Champs, no Gorge, no Lighthouse to Lighthouse. Instead I concentrated on doing as many NYMCRA races as possible, even camping out to save money instead of getting hotels for away races. I did several races I’ve never done before, including the two days of Madrid and the lovely Blue Mountain Lake race.

Even better, the USCA national championship races were held in Syracuse. I had two really good 10 mile races – unfortunately both races were 12 miles. Both times I lead a pack of racers for the first 10 miles, then faded and got passed by all of them in the last 2 miles. Definitely something to work on this year.

I started the season completely out of shape with the intention of racing my way into shape, hoping to peak with the USCA Champs. It worked pretty well, and in spite of my tactical errors there, I had a really good race at Long Lake. I was hoping to continue with the final race of the season, the Seneca Monster, but it got cancelled.

In other good news, I really dialed in my video production workflow, aided by the fact that I now have a high end iMac. Also, I got a really amazing carbon fibre GoPro mount for the front of my kayak – not only lighter than my older aluminum one, but also more aerodynamic. After the end of the season, GoPro released a new camera, the Hero 7 Black, with a much touted “Hyper Stabilization” mode. I bought one and tried it out and it is pretty amazing. I can’t wait to use it for races next year.

I also bought a new boat – I did some side work for a pilot friend of mine and used part of the money to buy a V8 Pro, a more stable boat than my V10 Sport, but still pretty fast. During interval workouts on the bay, I found I could just put the power down instead of bracing and trying to keep upright.

One of my daughters got engaged this year. I really like her fiance and they seem really good together.

Both of my parents had health setbacks this year. I think this coming year’s travel plans will have to mostly involve visiting them.

My current video workflow

So this post showed up in my “On This Day” feed on Facebook, and so I thought I should post an updated version. These days I record with 2 GoPro cameras, a Hero 5 Session on my head, and a Hero 5 Black on the front of the boat on a mount made by James I Smith, from North Carolina. James gave me the mount as a gift, which I’m really grateful for. I also managed to snag a legit copy of Final Cut Pro X when it went on sale.

So here’s what I do now after shooting some video.

  1. I make a bluescreen video with my Garmin data overlayed in Garmin VIRB Edit. The procedure I use is detailed in this video
  2. While that is processing, I bring the files from each camera into Final Cut Pro X, and for each camera I make a full duration compound clips to simplify the editing.
  3. Hopefully I will have remembered to clap or otherwise do something distinguishable in front of both the cameras so I can get the two compound clips time synchronized.
  4. I’ll use the transforms to move and clip both compound clips to create a split screen effect.
  5. It’s sometimes a good idea at this point just to leave everything overnight so the VIRB Edit export can finish and so can the creation of FCPX render files. Even my new iMac is pretty sluggish until those files are finished.
  6. I’ll scrub back and forth on the split screen looking for things I want to comment on in the video, and putting in lower third titles. I’ll also look for places where I only want the front view or the back view instead of the split screen, because all the action is happening in front of or behind me. I’ve experimented in the past with making my own transitions using key-frames so the split screen transitions to a single view over a few seconds, and transitions back over a few seconds, but I rarely use it because of all the cutting I do later.
  7. At this point I’ll bring in the blue-screen video above the other clips on the timeline, and apply the Chroma Key effect to it so the other videos below show through. Then I’ll try to time synchronize it – hopefully you can see me pushing the start on my GPS in one of the videos.
  8. Now I’ll make a compound clip of the blue-screen and the two compound clips.
  9. I’ll use the “Blade All” key shortcut and cut out all the bits where I didn’t have anything to point out. I’ll make another pass of cutting and deleting to try to get the video down under 15 minutes, although sometimes I don’t succeed.
  10. I’ll add transitions on all the cuts. I prefer to use the same transition on every cut for consistency, usually one of the simpler ones. I want it to be obvious I’m cutting.
  11. Usually I reduce the volume on the compound clips down to near zero, and try to find some music to put over it. There isn’t a lot of talking during paddle races, and some of it we’d rather not remember afterwards. I prefer bouncy folk music, especially stuff from Genticorum or Great Big Sea or something that sounds like Voyageur music, but I’ve had problems with YouTube and copyright on those songs.
  12. Add title and out-tro titles. In the out-tro, don’t forget to label all the music I used. I should probably have boilerplate asking people to like, subscribe and share like all the pros do.
  13. Export the video to a master file, and then upload to YouTube.

During the off season I’ve been thinking about and experimenting with some things to see if I can improve my videos. Here’s some of the ideas that you might see in this year’s videos:

  • Using motion tracking or a 2 second freeze frame to label the other people in the video. Here‘s a short example of using a freeze frame.
  • Adding a third camera. I’ve only got lower resolution cameras like the Contour, but I’m thinking of sticking it behind me pointing backwards for when the camera up front is missing what’s happening because of my body being in the way.
  • Making a public Dropbox that other paddlers can share their videos so I can include other people’s points of view. The biggest hurdle is finding out if people will actually do this.

Alternate Side of the Street Parking

I’ve gotten a number of tickets over the years because I misinterpreted the alternate side of the street parking signs on our street. Yes, I’m embarrassed that somebody whose livelihood depends on being able to interpret and write complex boolean expressions should have trouble with these signs, but there you have it. But I resolved to not get caught out again, so this is what I did:

  1. Installed IFTT on my phone
  2. Created two PNG files, one that says “North” and one that says “South”, and set up two lines in my crontab on my computer that copies the appropriate one to my public web server when the parking rules change over.
  3. Created an IFTT rule that when I get close to home it displays a “rich” notification including which ever image is on my web server
  4. Created two IFTT rules to send me a notification when the parking rules change over.
  5. Created a shortcut on my home screen on my phone so I can check the image on the web server if I miss the IFTT notification.

If I get another parking ticket, it won’t be because I didn’t try.

Video labeling

I thought it would enhance my video if I could call out people’s names. At first I was looking to use motion tracking to have the labels follow the paddler on the screen. I tried using Motion, which comes with Final Cut Pro X, but it has two problems

  • I have to export a 10 second or shorter clip from Final Cut Pro, bring it into Motion, do the motion tracking, and then bring it back into FCP and fit it back into the right part of the timeline.
  • It really didn’t work very well – I had to keep adding manual key frames and restarting the tracking. In the video here, I actually gave up on adding more manual key frames when I was working on JoAnn’s label which is why it goes off into the weeds.

Then I tried a couple of plugins that would supposedly do the job without having to leave Final Cut Pro X. Both of them had trial modes, so I was able to experiment without paying the $100 they wanted. The first one, EasyTracker, did a pretty good job of tracking, but it crashed FCP several times every time I tried to track, and eventually screwed up the playback window so I couldn’t see anything until I deleted the plugin. The second one, CoreMelt TrackX, was practically useless. I tried putting a polygon over Jim’s bright orange shirt thinking it had pretty good contrast to the water and trees it was in front of, and said to “track forward”, and within a few seconds the polygon was somewhere off to the right of the war canoe that was to his right. Useless.

So then I had a thought – in his highly entertaining “How The Race Was Won” videos, Cosmo Catalano likes to call out riders names by using a freeze frame. He also puts a mask around each rider to emphasize it. He told me once he actually takes a screen shot and brings it into Photoshop to do that. I would prefer not to do that, not least because I don’t have Photoshop. However, FCP has a nice “Freeze Frame” feature that inserts a nice 4 second freeze of the frame at the current playhead position. Here’s what it looks like.

I kind of like this way.